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Saturday, March 25, 2017

The Bats: The Deep Set


1) Rooftops; 2) Looking For Sunshine; 3) Rock And Pillars; 4) Walking Man; 5) No Trace; 6) Diamonds; 7) Antlers; 8) Busy; 9) Steeley Gaze; 10) Durkestan; 11) Shut Your Eyes; 12) Not So Good.

Just another six years, just another Bats album. Yes, these guys are tenacious — they really are bent on earning their «AC/DC of jangle-pop» status. Same stable lineup, same pleasant sound, and... you know, as I am listening to these songs more than three years after I'd written my last Bats review, I realize that I remember very well what the overall Bats sound used to be, but I do not remember how even a single one of those Bats songs went. Not one. Not even the very best ones that I praised in those reviews.

So I am going to make this very short — yes, I listened to The Deep Set thrice, and I liked it, and I can guarantee any Bats fan that if he/she is buying this record, he/she is buying an authentic Bats record and not a polka or a death metal or a modern classical version of The Bats. Conse­quently, you will get yourself some steady mid-tempo jangle-pop (ʽRooftopsʼ), some slow stut­tery jangle-pop (ʽLooking For Sunshineʼ), some bouncy Merseybeat jangle-pop (ʽRock And Pil­larsʼ), some heavily overdubbed mid-tempo jangle-pop (ʽWalking Manʼ), some fuzzy, sharp-edged jangle-pop (ʽNo Traceʼ), some slow jangle-pop with elements of electronica (ʽDiamondsʼ), some jangle-pop mixed with power chords and shit (ʽAntlersʼ), some jangle-pop with a busier lead guitar part than usual (ʽBusyʼ), some jangle-pop with dreamy overtones (ʽSteeley Gazeʼ), some politically-oriented jangle-pop (ʽDurkestanʼ), some adult-contemporary jangle-pop (ʽShut Your Eyesʼ), and some totally non-descript jangle-pop for the last number, because God forbid you take this record off with memories of an outstanding finale (ʽNot So Goodʼ).

Needless to say, all of this should be taken as a hearty recommendation for those Bats fans who feel themselves strong and able and are in no danger of having their stomachs pumped from an overdose of jangle-pop. Everybody else please remember that The Bats in 2017 sound exactly like The Bats in 1987, and that this is the only significant point that this record makes.

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