BEN FOLDS: SONGS FOR GOLDFISH (2005)
1) In Between Days; 2) Gone;
3) Hiro's Song; 4) You To Thank; 5) Weather Channel Music; 6) Evaporated; 7)
There's Always Someone Cooler Than You; 8) Rockin' The Suburbs; 9) Radio
Jingles For Tokyo's Inter-FM; 10) Side Of The Road.
Since this album was originally released as a
bonus disc to go along with Songs For
Silverman, it does not deserve a detailed review, but is still worth a
quick mention — being the only official live Ben Folds release where he is (a)
actually backed by a band and (b) the band is not the Ben Folds Five, but a different trio, where Jared Reynolds
replaces Robert Sledge, and Lindsay Jamieson replaces Darren Jessee, and both
try to play as close to the Five's rhythm section as possible, right down to
putting all that brawny distortion on the bass for extra rock power. They do make a good job of it, for that matter,
but I guess Ben wouldn't have hired them otherwise, not to mention putting the
results on the public market.
The collection is a little rag-taggy, with the
first five tracks taken from a 2005 show in Carlisle, Pennsylvania, two «rocking»
tracks recorded at an L.A. show one year earlier, and an oldie leftover from
the «real solo» days for complect (a piano-only run through ʽEvaporatedʼ from a
2002 NYC show). Rounding up the relatively short selection are a couple of cute,
but ultimately worthless radio jingles, and a forgettable studio outtake — a cover
of Lucinda Williams' ʽSide Of The Roadʼ, which is only slightly less boring
than the original, and anyway, I think it must be hard to be a deep-level fan
of Ben Folds and Lucinda Williams at the same time.
Of the live selections, two are particularly
notable: ʽWeather Channel Musicʼ is a four-minute piece of jazzy improv that
starts out as an «anti-reaction» to ʽRock This Bitchʼ ("I've personally
done about fifty different styles of ʽRock This Bitchʼ, there's no more styles
left!") and then, much to the satisfaction of all the sane fans (rather than the ones that keep bawling "rock this
bitch!" in an honestly scary manner), moves into the world of scat singing
and flashy piano rolls. And the live take on ʽRockin' The Suburbsʼ, rearranged now
as a piano trio, pokes even more
vicious fun at the «rock mentality», extended as it is to six and a half
minutes of hullabaloo, musical and verbal hooliganry ("you better watch
out cuz I'm gonna say fuck!!!" — and he does) — a respectable companion to
the more restrained studio original.
And that's about it, actually. It's a little
strange that only ʽYou To Thankʼ is carried over from Songs For Silverman itself, but supposedly Ben wanted this, too, to
look like a little retrospective (if you throw in ʽEvaporatedʼ, the album covers
most of the phases of his career from 1997 to 2005), and this is as
representative as he could make it, given the short time length. All in all,
nothing essential, but a nice bonus chunk for the deeply admiring and the
casual fan alike if you can get it for free or close to it. Besides, you have to have it if you wanna complete
the puzzle of the genuine album title — Goldfish
and Silverman can't do without each
other.
Check "Songs For Goldfish" (CD) on Amazon
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