AUTECHRE: ELSEQ 1 (2016)
1) feed1; 2) c16 deep tread;
3) 13x0 step; 4) pendulu hv moda; 5) curvcaten.
Admit it, the last thing you want in your life
is to be left without a new Autechre experience every few years — because what
would be the meaning of that life? How else could you even begin to penetrate
the deepest mysteries of the universe? One good listen to a new Autechre album
— isn't that pretty much the equivalent of reading the complete works of all
major figures in existentialist philosophy, or at least the equivalent of a master's degree from MIT? Could modern
art truly survive without being exposed to the latest and greatest in abstract
electronic noise from two geniuses who keep revolutionizing the scene every few
years in ways so deep and subtle, most people don't even notice it?... If that
is your way of thinking, too, then to you, 2016 will be the awesomest milestone
in Autechre history, as Booth and Brown assault and overload our senses with
not one, not two, not three, but five
albums released on the same day: 247 minutes of brand new Autechre product,
enough to keep one away from Selena Gomez and Lukas Graham for at least... uh,
well, for as long as it takes for the next Autechre album to come out.
Technically, Elseq 1-5 is really just one album, counting as such in typical
discographies and not even analyzeable in terms of separate discs, since it was
only made available as a digital download (CD format is way beneath these
guys' level now, and a vinyl release would go against the digital fetish); but
even for a guy like me, who is not used at all to detailed dissections of
electronic epics and prefers condensed and superficial assessments, 247 minutes
is a bit too much to sit through in one go without going mental (if I listen to
it on headphones) or driving everybody around mental (if I go for the
speakers). And regardless of whether we hate it or love it, we have to admit
the mammoth nature of the enterprise, so I suppose it does merit several
reviews after all — let alone the fact that at least some of the 1-5 volumes do
have their own specific features, and counting them separately wouldn't hurt.
Elseq
1, in particular, feels like
the heaviest and most aggressive volume of the lot, mainly due to the opening
blast of ʽfeed1ʼ: eleven minutes of what sounds like strong electric current
run through a large set of interconnected and savagely slashed cables — sparks
blasting in all directions, and any organic being that dares penetrate even
the remote periphery of the field created by this mess getting fried
instantaneously. A simple, brutal, and strangely effective track, probably
their «angriest» in years and years, and, of course, barely listenable to
everybody with inborn aversion to digital feedback. However, the second lengthy
epic, ʽc16 deep threadʼ, seems more interesting — not least because it is
driven by a very cool rhythmic pattern, one that sounds stuck somewhere in
between a huge dripping faucet, two giants playing table tennis, and a railroad
man driving spikes in an underwater section of the tracks. Everything else that
goes on at the same time is a mix of radio static and iron-soldering noises,
rather typical of Autechre, but it is really the cool percussion tone that
deserves special attention.
The other three tracks are marginally more
melodic: thus, behind the slightly trip-hoppy rhythms of ʽ13x0 stepʼ you will
find sonic patterns that sound like alien melodies, transmitted from the
distance of several thousand light years and re-converted into music to the
best ability of the signal-capturing device — some frequencies lost and some
implied by the brain rather than actually heard; ʽpendulu hv modaʼ sounds like
some Brian Eno ambient track that keeps getting interrupted through poor
transmission, as you twist, bend, and re-direct the poor antenna to get to hear
at least something; and only ʽcurvcatenʼ returns us fully to drum-'n'-bass
territory in order to end things in the same ballpark where they'd started,
only on a slightly more quiet note.
On the whole, the energy and loudness of this
stuff does make it seem like an improvement on Exai at least — and I'd be the first to admit that there are a few nifty
sonic ideas here, though whether they actually «work» on some metaphysical
level or if my mind just clings to them because of the sheer novelty factor is
unclear. And let's not even get started on whether these few nifty sonic ideas
deserve to be framed in 52 minutes of running time, especially since we've only
just begun with the grand experience.
Well, this is quite the surprise!
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