BUDDY GUY: D.J. PLAY MY BLUES (1982)
1) Girl You're Nice And Clean;
2) Dedication To The Late T-Bone Walker; 3) Good News; 4) Blues At My Baby's
House; 5) She Suits Me To A T; 6) D.J. Play My Blues; 7) Just Teasin'; 8) All
Your Love; 9) The Garbage Man Blues; 10) Mellow Down.
The last of these semi-obscure Buddy Guy albums
before he once again went into hiatus is usually listed as having been
recorded in Chicago in December 1981 and released on the JSP label in 1982; the
10-track edition is a 1987 CD reissue that originally went under the title of Complete DJ Play My Blues Sessions.
Featuring Mike Morrison on bass, Ray Allison on drums, and second guitarist
Doug Williams, this is once again a stark, uncompromising affair that
completely refuses to recognize or respect the progressive advancement of the
musical world — in fact, if anything, it's a «regressive» album on Buddy's own
terms, since it pretty much abandons the cool-tone-based personality of Breaking Out and returns to a far more
standard, conservative electric blues paradigm.
The title track is a good indication of what's
at stake — searching for a good pretext to enter one of his blue moods, Buddy
finds a suitable one in the fact that blues went out of fashion, so the song,
instead of pleading for baby to come home, as it normally should, pleads for
Mr. D.J. to play some T-Bone Walker (instead of all that New Wave crap, one has
to assume). Of course, the D.J. has no answer to that, so there's nothing left
to do but to play some T-Bone Walker on one's own (ʽDedicationʼ, which is
indeed played very much in classic T-Bone Walker style, even if Buddy never
attaches as much importance to each individual note as the late T-Bone did —
the speed curse hits the man even in slow mode).
A somewhat shadier side of said conservatism is
the sheer amount of «mutated» songs by classic artists that Buddy includes here
in only very slightly modified versions — most likely, so that he can get his
own songwriting credits (on an album that wouldn't sell anyway, but I guess
that when you're so down on your luck, every penny counts). For instance, Otis
Rush' ʽAll Your Love (I Miss Loving)ʼ becomes simply ʽAll Your Loveʼ; Little
Walter's ʽMellow Down Easyʼ becomes simply ʽMellow Downʼ; ʽShe Suits Me To A Tʼ
is an Elmore James number with new lyrics; and ʽGood Newsʼ is a strange hybrid of
ʽMemphis Tennesseeʼ (melody), ʽGood Rockin' Tonightʼ (lyrics) and an ad-libbed
mish-mash of old rock'n'roll clichés.
People interested in musical family ties should
check out ʽThe Garbage Man Bluesʼ, a duet between Buddy and his brother Phil
Guy, who takes lead vocals and adds his own guitar leads — as a singer, his
talents are quite comparable to Buddy's, but as a guitarist, this is just
nepotism in action. Overall, there's nothing here to make the record stand out
from the average pool of professional electric blues-rock, and while I fully
concur with Buddy's pleading on the whole, he does not exactly build as much of
a strong case for himself here as he
provides a good pretext for brushing the dust off all those T-Bone, Elmore, Otis,
and Little Walter records to which D.J.
Play My Blues is nothing but a humble, uninventive tribute.
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